In 1973, Sabbath was one of the biggest rock bands in the
world, both literally and figuratively creating the conception of the rock
star. Black Sabbath could do no wrong at
this point, every album they put out birthed a couple million guitarists and
laid the concrete down for new musical attitudes. Sabbath
Bloody Sabbath is the fifth album of their colossal run throughout the
first half of the seventies. They were
consistently writing, riffing, touring, and doing druggos during their golden age. After Vol 4, Sabbath hit a writing snag and
found themselves worn out from the typical rock star lifestyle. So they packed up their goat horns and coke
and headed to Clearwell Castle to gain inspiration by sleeping in the dungeon. Apparently it worked because Iommi came up
with the riff to Sabbath Bloody Sabbath in that damp hell-hole and the band
found their gothic mojo once again. Sabbath
ditches a lot of their ideas from Vol 4 in exchange for new material and
instrumentation. Synths and spacey
strings find their way onto the songs; prog and Sabbath make for strange
bedfellows on paper, but then they just went and did it, never compromising the
riffs and weirdo lyrics about death.
Also Rick Wakeman did the keys on Fluff for some beer. Somehow, this album manages to be a lot more
positive than previous Sabbath albums, the tracks are upbeat and there is an
almost tropical sensibility in the song structures. I dunno, it still slays through power chord
heaven. Killing Yourself to Live is punk
as fuck. For their fifth album, Black
Sabbath don’t lose slack, they snort it up their nose and spew out something
from another dimension.
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